05
Jul
With No Sudden Move, Steven Soderbergh continues his streak of directing one film a year and makes his quick return to the crime genre with a different tonnage and environment. The film combines a neo-noir style with some of the techniques that he has used in Traffic (2000), Out of Sight (2005), and The Good German (2006). Unlike most of his work, this one does not occur in the present day; it is set in 1950s Detroit and does look the part indeed. The old-school style is present in the costumes and art direction. No Sudden Move The film focuses…