Double Walker

Colin West’s Double Walker uses the concept of a ghost story in a captivating way by blending the themes of revenge, resolution, and existentialism. Not every decision West makes gels with one another, and the script needs some fine-tuning, but it is an interesting concept to see on-screen.  I like films that deal with the aspects of “ghosts” or “wraiths” because they can go in many different directions. For example, Amenábar’s way of treating spirits in The Others (2001) is far more divergent than how Bayona handled his chiller The Orphanage (2007). Nevertheless, more and more directors are approaching a…