Ema

Ema uses the luscious aspects of music and dance to explore its core themes of self-destruction, politics, and family with a visionary style and great performances.  Pablo Larraín is a great Chilean filmmaker that devotes himself to doing dramas with staggering characters revolving around some form of pique or obsolescence. Most people will recognize him from Jackie (2016), underrated in my opinion, and No (2012). Larraín’s latest feature, Ema, takes a different stroll around the topics he is used to and transforms them into a story with more vibrancy and color by using the art forms of music and dance. …